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April 9, 2021

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Article summary代写 The article begins with the introduction of the decorative objects such as sugar boxes, serving coffee, sweetmeat bowls, and ···

1.

Adrienne L. Childs in the article Sugar Boxes and Blackamoors: Ornamental Blackness in Early Meissen Porcelain contemplated the benign decorative objects such as the sugar box of Meissen porcelain contains the complexities of slavery, race, discrimination and the depiction of European material culture in the 18th century. The article begins with the introduction of the decorative objects such as sugar boxes, serving coffee, sweetmeat bowls, and myriads of steering elephants and blackamoor figures were considered as a popular ornamental motif of the 18th century.

Representation of African body in decorative arts aimed to spread the theme of blackness within the spaces identified with wealth and refinement within Europe. For instance, Negress with a Basket represent the prevalent social issues such as race, black slavery within the colonies, and existence of black servants within the wealthy European societies (Childs ). The article also shares the supporting notions by the contemporary theorists such as Henry Louis Gates who had revealed the instability in the idea of race as a social category and questioned the debilitated construct of race which shaped the blackness in European visual culture (pp. 159-160).


译文:

1.  Article summary代写

Adrienne L. Childs 在文章 Sugar Boxes and Blackamoors: Ornamental Blackness in Early Meissen Porcelain 中思考了 18 世纪迈森瓷器的糖盒等良性装饰物包含奴隶制、种族、歧视和欧洲物质文化的复杂性世纪。文章首先介绍了装饰物,例如糖盒、供应咖啡、甜食碗,以及无数被认为是 18 世纪流行的装饰图案的转向大象和黑豹人偶。

非洲身体在装饰艺术中的表现旨在在欧洲以财富和精致为标志的空间内传播黑色主题。例如,Negress with a Basket 代表了普遍的社会问题,例如种族、殖民地内的黑人奴隶制以及富裕的欧洲社会 (Childs) 中黑人仆人的存在。这篇文章还分享了亨利路易斯盖茨等当代理论家的支持观点,他们揭示了种族作为社会类别观念的不稳定性,并质疑塑造欧洲视觉文化中黑暗的种族的虚弱结构(第 159 页- 160)。


2.  Article summary代写

European Enlightenment is considered to be an era of pervasive dialogue between the origins, meanings and human differences. It was an era of taxonomic classification of humans such as tauna and flora. Another common theme of 18th century was the discourse of black and a required establishment of the Europe at the top of the hierarchical continuum of cultured and people. In such stratification Africans were put on the lower strata.

Article summary代写
Article summary代写

Blackamoor was a most prevalent aspect of blackness during this period. The visual imagery of blackamoors and their existence in the literary context received a wide scholarly attention. Meissen manufacturing included the Dresden as a first European major producer of hard-paste (p. 161). Then Meissen porcelain started depicting black figures and blackamoors as a popular motifs during the mid of 18th century. Lady with Blackamoor by Joachim Kandler is an apt example of such art given in the article (p. 162).


译文:

2.  Article summary代写

欧洲启蒙运动被认为是起源、意义和人类差异之间普遍对话的时代。 这是一个人类分类学分类的时代,如牛群和植物群。 18 世纪的另一个共同主题是黑人的话语和欧洲在文化和人民的等级连续体的顶端的必要建立。 在这种分层中,非洲人被置于较低的阶层。

Blackamoor 是这一时期最普遍的黑色。 blackamoors 的视觉意象及其在文学语境中的存在受到了学术界的广泛关注。 迈森制造包括德累斯顿成为欧洲第一个主要的硬膏生产商(第 161 页)。 然后迈森瓷器在 18 世纪中叶开始将黑色人物和黑人作为一种流行的图案。 约阿希姆·坎德勒 (Joachim Kandler) 的《Blackamoor 女士》就是该文章 (第 162 页) 中给出的此类艺术的一个恰当例子。


 

3.

Meissen got successful in the prosperity of the enterprise in the luxury goods market and also supported the growth of the competitive markets within Europe. The article discussed different artwork and their depiction of blackness, race and cultural differences within Europe during 18th century as evidences. In the end it is concluded that the ornamental blackamoor is a prevalent figure in the art from painting to porcelain design (p. 174).


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3.  Article summary代写

迈森在奢侈品市场企业的繁荣中取得了成功,也支持了欧洲竞争市场的发展。 这篇文章讨论了不同的艺术作品及其对 18 世纪欧洲黑人、种族和文化差异的描述作为证据。 最后得出的结论是,从绘画到瓷器设计,装饰性的 blackamoor 是艺术中的普遍人物(第 174 页)。


 

Reference  Article summary代写

Childs , A. (n.d.). Sugar Boxes and Blackamoors: Ornamental Blackness in Early Meissen Porcelain. In A. Cavanaugh, & M. Yonan, The Cultural Aesthetics of Eighteenth Century Porcelain . Ashgate .

Article summary代写
Article summary代写

 

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