Interior Design Theory and Practice
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Interior Design Theory and Practice
Interior Design代写 The main focus of interior design is to create a pleasing experience for the user based on the paper’s appraisal.
Interior design is concerned with principles, materials, colors, planning of space, and lighting designs used by designers in orchestrating designs of the interiors as well as derive experiences for the users. Through a case study approach this paper will look at the characteristics of interior design made through the 19th and 20th centuries with an appraisal from the influence of the Georgian style with was rooted in the 18th century. Interior Design代写**范文
It will examine the trends that have evolved in the industry through the two centuries. The findings will show how in their profession architects were initially influenced by architectural styles, principles. And also design, space, color, planning, and material elements commonly used during the Georgian era. Currently, the main focus of interior design is to create a pleasing experience for the user based on the paper’s appraisal.
The Design Theory Process Interior Design代写
It is concerned with the principles and fundamentals of designing visual communication dealing with the way individuals visualize and perceive information. A separation of ideas is created between ideas of taste, trend, and style from universal principles of the aesthetics that are basic to all persons. (Pile, 2000) Such is the foundation of design in connecting the designers and makers of images from history to the current. Interior Design代写**范文
According to Rowe (2011), function and form where the first Bauhaus School to be formalized and has since then been the basis of all good designs. The design theory, therefore, requires an understanding of the design elements as well as an interplay between the elements in order to get the principles of design.
Literature Review Interior Design代写
According to Colles and House (2007), the emergence of the interior design profession was in the 1970s with a description of a discipline. That relies on architectural history, principles and theories, and creation of spaces. In tracing the history of the profession, it was founded by the ancient Egyptians. Who used mud to decorate their huts with simple furniture enhanced with animal skins, vases, and sculptors. Interior Design代写**范文
This has however evolved and today has resulted in some specialization into different categories. Richard and Schulz (2013) note that the Americans were the first interior decorators to apply the basic design principles of proportion, design, balance, rhythm, variety, scale, and contrast in creating interior space. They further assert that man spends over 90% of his daily time within interior spaces. And thus making the work of the interior designers to be very important.
Principles and elements of design involve philosophies of design that serve as yardsticks in the creation and judging of good designs. Interior Design代写
According to Brooker and Weinthal (2013), such principles include balance, rhythm, scale, harmony, and proportion. The element of scale is concerned with the object size in terms of mass or dimensions in relation to each other. On the other hand, the relationship between the ratio of parts to the other while the whole of the interior is about proportion. The design principle is the rhythm which suggests the movement between the various parts using line, texture, color or form also known as continuity.
19th century Interior Design Interior Design代写
The era was given shape by the Italian Renaissance across the world. its major character was the classical elements including the use of arches, pilasters, symmetry, and caryatids of geometrical frameworks. Thus, its main influence was Italian and its spaces according to Sorabella (2003) were mainly dark but brightened with fabrics and ceilings. Interior Design代写**范文
The classical styles used were mathematically based and expressed the proportion laws which applied to most of the decorations. (Sorabella,2003) The classical styles were generally based on mathematical expressions of laws of proportions applied to interior decorations. (Friedman and Savage, 2017) The era’s interior relied on textiles and carpet materials while the furniture was upholstered as well as stuffed and had springs internally. Interior Design代写**范文
On the other hand, the way was adorned with decorative plaques and pictures, and the cabinets had ornaments.
Thus, the interior was considered as shelters and therefore a form of protection from modernity. (Brooker and Weinthal, 2013) Generally, the 19th century had interior spaces considered as rich spaces exuding grandeur.
20th-century Designs Interior Design代写
The approach during this era was towards the modern and the interiors were mostly associated with the modernism aspects including abstract, simple, geometric as well as undecorated spaces. Friedman and Savage (2017) state that the influences of the interiors were largely by the Bauhaus. In short, this modern design was to be the opposite of the styles. That have preceded it and thus represented high functionality levels as evident in the 20th-century aesthetics. (Sparkle, 2007) The design functionality feature of the era was an important feature. And its spaces were mostly designed using neutral colors and a variety of white and black shades.
According to Asaff (2000), the neutral tones were broken with bold accents which offered a focal point. Interior Design代写
The minimalism feature was integral as the basic approach relied on ‘less is more’. This meant there were little unnecessary details like openings, excessive use of materials, openings, walls, textiles, or colors. Simplicity was achieved through the use of thoughtful reductions according to Maeda (2006). The 20th century period, therefore, offered a lot of emphases to design principles and elements, color, materials. And space in planning as well as less emphasis given to specific architectural styles.
Case Study
The Georgian Style Interior Design代写
Georgian interior was easy to recognize for its simple components register. These included such feted designers and craftsmen including the Adam brothers and Sheraton, Chippendale, then there were particular objects and materials such as equisetic woods, furniture crafted by ‘feted’ makers and also a clock which incidentally was older than the displayed interior. The third thing making it recognizable was the suggestions of forms of social behavior like taking tea and dining. Interior Design代写**范文
Fourthly, was the English style conflation with Britain; and fifthly was the Georgian style implication meaning the presentation of expensive goods for an elite market class and finally its concern with authenticity. The presentation of the interior was meant to be a ‘genuine’, and realizable interior which was applauded as an epitome of the British style. It was a legacy that was constructed in the late 18th century by a group of exclusive group designers.
Although the 18th-century interiors have been approached from different angles. Interior Design代写
recent research has however complicated the understanding of the ‘Georgian’ style as well as bringing up new questions and methodologies to bear on the meanings, functions, and contemporary perceptions and use of interiors in the 1700s. Interior Design代写**范文
The period is always seen as the ‘long’ eighteenth century which spanned between the Glorious Revolution period from 1688/9 to the early 1830s during the Reform Act. The changes are normally associated by historians with the engineering succession of the new royal dynasty, creation of new financial institutions, the development of the political awareness ‘public sphere’, development of new political practices and ideologies, discovery of new worlds as well as the profitable trade routes, rise of commercial leisure, urban growth and ‘renaissance’, social order revisions which theoretically promoted the social criteria over the inherited ranks, and also a ‘consumer revolution’ where diversification of goods was available to a more diversified population.
Georgian interiors Interior Design代写
The special issue as a whole is especially concerned with defining, redefining and reinterpreting of the Georgian interiors which had taken place at different historical moments. Interpretations and meanings attached to the Georgian design are in many ways a contemporary and current preoccupation as well as it is a matter for investigation of the values and priorities as ascribed by the 18th-century figures to the aesthetic codes and interiors of their age. It is the 20th century that had a lasting effect on the assumptions of the 1700s.
Analysis of the Case Study Interior Design代写
The Georgian Interior concept is, however, a misnomer in some ways.
The reason for this is because it is clear that neither its subject matter nor its literature that currently can be put together in chronological terms. The debate on Georgian buildings and interiors and its influence of the 19th and 20th centuries have not referred exclusively to the constructions lived or built during all the Georges reigns, from the succession of George I in 1714 to the reign of George IV which ended in 1830. Interior Design代写**范文
The royal reigns proved convenient in labeling devices though but the births and deaths of monarchs do not always denote the major development of styles. However, the life cycles of monarchs can be used to neatly map against life cycles of properties inherited between the generations, or rented, sold, as well as occupied by many various groups for different reasons and also as extended, refurbished, or divided over time.
Any manifestations of physical Georgian Interiors are therefore more of myths that are realizable material entities. Interior Design代写
The Georgian concept has over time changed and this perhaps may not necessarily be included in the interior within their concerns and interests. It was not therefore until the 20th century as the term Georgian was used in encapsulating a traditional aesthetic as well as denoting certain aspects of styles in ways that the established labels like Baroque, neo-classicism and, later modernism were used.
However, this was as early as the 20th-century architectural historians when they ventured into the 18th century home.
The interiors were taken as relevant as a space sitting behind a façade of interest as the contributor of the proportion, shape, as well as the architecture ‘harmony’. There has been very little recognition given to what has been lying behind the Georgian door. And also less consideration was given to ideas, thoughts as well as the daily acts and actions of people living in the dwellings. Interior Design代写**范文
The Georgian had emerged by the 1940s as the umbrella term especially favored by architectural. And art historians in showing the subtle linkages between manifestations of materials in buildings. Artworks as well as craftsmanship objects and also growth of modern Britain.
Second part Interior Design代写
The second part of the 20th century saw the category of Georgian such as the Chinese whisper to be deployed freely by successive generations, though distinctly recanted with every repetition. Such rigid emphasis on architecture was shaken off, though in doing so, it lost conceptual clarity as well as rendered more generic. Interior Design代写**范文
Its use as the descriptive adjunct, the 1950s and 1960s decorative arts studies were referenced either as the ‘Georgian façade’, ‘the Georgian silver’, the ‘Georgian tympanum’, and other Georgian features. It is notable that in this usage, the Georgian was deployed in categorizing specific aesthetics mostly expressed in the surface textures. In reference, to Georgian tympanum, for example, the Georgian is used as an adjective standing for particular shapes or forms of the tympanum.
The Georgian reformulation partly expresses the research disciplines developments. Interior Design代写
Though silver, textiles, upholstery, and furnishing were becoming important as well as special inquiry fields. Researchers were struggling to incorporate the disparate forms of the material objects into units of the interior. As a result, at the time that ‘Georgian’ had become widely used and also well-known. Mostly used by in the media as well as widely known to the public. Historians were finding it hard to specify its exact components. Interior Design代写**范文
With the opening of many 18th-century country houses and also the unprecedented investment in the museum’s public displays across the country, the Georgian style was becoming national one. With the enthusiasm for stylistic labeling mostly expressed during the neo-Georgian Revival of the 1980s. When revisions of domestic architecture were made part of the broad fashion movement. Which adopted the elements which were categorized as Georgian.
Commercial interior design and management Interior Design代写
During the mid-to-late 19th century, services of interior designers had expanded as the middle class in industrialized regions grew in prosperity and size. And started desiring the trappings of wealth to signify their new social status (Frampton, 2010). Interior Design代写**范文
As a result, large furniture outfits started branching out into interior design. And management as they offered complete house furnishings in different styles. The business model was successful from mid-century to 1914 before the role was largely dominated by independent and often inexperienced designers. The emergence of professional designers was therefore inevitable in the mid-20th century.
On the other hand, there is increase in function of conversation pieces as comprising a domestic painting genre. Interior Design代写
Such pieces have been used as evidence of appearances of the 18th-century interior, thus used in tracing incidences of certain forms of furnishing. (Greig, and Riello, 2007) Their positions in homes and precisely decorative details of domestic property. Retford has suggested that the commissioning or completion of such portraits was not done for record specifics of the ‘real’ interior. Interior Design代写**范文
They are instead better regarded as the idealizations of the 18th-century concerns with values such as taste, politeness, and gentility expressed in the interior. However, this should not be construed to be within the sitters’ personal interiors as such but in a framework. That is idealized as well as realized painted forms.
Conclusion Interior Design代写
Therefore, interior design is both an art and science used to enhance a building’s interior in achieving a healthier. And also an environment that is more aesthetically pleasing people using the space. The work of an interior designer, on the other hand, involves planning, researching, coordinating, and managing such projects. Interior Design代写**范文
The interior design profession is multifaceted as it includes the conceptual development, planning of space, site inspections, research, programming. And communication with the project’s stakeholders, construction management, as well as design execution. It is therefore clear that there is certain relationship between theory and practice of the two aspects of interior design from the above study.
References
Asaff, B. 2000. What is the definition of modern design? [Online] Available from http://interiordesign.lovetoknow.com/What_is_the_Definition_of_Modern_Design
(January 14, 2019).
Brooker, G., and Weinthal, L. (Eds.). 2013. The handbook of interior architecture and design (1st ed.). London: Bloomsbury Academic.
Coles, J., and House, N. 2007. The fundamentals of interior architecture (1st ed.).
Lausanne, Switzerland: Ava Publishing.
Frampton, K. 2010. Modern architecture (1st ed.). London: Thames & Hudson.
Friedman, A. A., and Savage, G. 2017. Interior Design. [Online] Available from https://www.britannica.com/art/interior-design/Origins-of-interior-design (January 5, 2020).
Gigli, J. 2007. Thinking inside the box: a reader in interior design for the 21st century. Enfield, Middlesex University Press.
Greig, H., and Riello, G., 2007. Eighteenth-Century Interiors—Redesigning the Georgian: Introduction, Journal of Design History, Volume 20, Issue 4, Winter 2007, Pages 273–289, DOI: https://doi.org/10.1093/jdh/epm025
Maeda, J. 2006. The laws of simplicity. Cambridge, MA: MIT Press.
Pile, J. F. 2000. History of interior design. New York: Wiley.
Richard, C & Schulz, C. (2013). Energy efficiency refurbishments: Principles, Details, Examples. Switzerland: Burkhouse, p17.
Rowe, H. 2011. The rise and fall of modernist architecture. Inquiries Journal, 3(04).
Sorabella, J. 2003. Interior Design in England, 1600-1800. In Heilbronn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. [Online] Available: http://www.metmuseum.org /toah/hd/ench/hd_ ench.htm
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