Formal Response代写 In “On Photography,” Sontag argument is that photographs are taken as a sort of false ways of relating to the world.
On Photography by Susan Sontag Formal Response代写
In “On Photography,” Sontag argument is that photographs are taken as a sort of false ways of relating to the world. According to her, captured images are nothing but a false representation of the images. And reality and have nothing to be deducted from them. She condemned photography and elaborate their meaning through a warning to the people. She cautions on the viewing photographs that clarifications are required when observing a picture as one’s judgment can make misjudgments due to a lack of information about the context of the photograph.
She also warned that due to the misrepresentation of reality, photos could be a powerful influence on society. Sontag tries to show the psychological aspect of photography which reveals that they can be a menace by virtue of the hidden motives and desires hidden their capture. In essence, the essay reveals how photography have affected societies by foreshadowing the effect of reliance to the photographs. In this regard, below are the instance in the essay which reveal Sontag claims about photography and its influence and relationship with the society.
Sontag started by saying “Humankind lingers unregenerately in Plato’s cave, still reveling, its age-old habit, in mere images of the truth” (Sontag 3). Formal Response代写
She used the Plato’s Cave allegory to claim a look at a photograph, one will only see the image of truth. And that what one sees is not always a representation of the truth without explanation. About Plato’s Cave, the shadows cast on the prison walls are different from the object in front of the fire. The allegory shows the falseness in photographic images and their interpretation depends on the viewer and their judgment. Formal Response代写
In another statement, Sontag stated that “To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge — and, therefore, like power” (Sontag 4). Photographic images are the way of transporting our emotions and attitude and thus communicate ourselves. Through photographs, our being is transcended beyond ourselves – who we are and what we are doing – therefore show to the world what it was that we were experiencing.
Moreover, she stated the influence of exposure to photography “corrupt…[the] Conscience and the ability to be compassionate. Formal Response代写
Images transfix. Images anesthetize…After repeated exposure to images, it also becomes less real.” (Sontag 20). Long exposure to indecent images can change the perception towards the wrong, and it might seem to be unreal. Its exposure can make the viewer insensitive and emotionally detached when a real event occurs. In her perspective, this is the extent to which photography can be. That is, a person can forge a familiarity with atrocities hence become like a “zombie.”
The Hero with A Thousand Faces by Joseph Campbell Formal Response代写
Magic Flight Formal Response代写
Campbell wrote that a hero must free from the world of adventure. There are two ways a hero can get out of the supernatural world. If the adventure was commission by a patron or a powerful being the hero will be kept safe on the return journey. For example is when Gandalf assisted Bilbo Baggins to go back to Share after the end of his quest through Middle-Earth (Campbell p. 182). Formal Response代写
Also, the heroes can be opposed by evil forces of the dark world, and if such happens, they should take their prizes and flea for safety. The author gives numerous examples of heroes fleeing from the enraged dark force like the case of Gwion Bach running away from Caridwen for taking her magic drops. In essence, Campbell was asserting that human weaknesses cause a magic flight. Due to these weaknesses, a hero may fail to observe the rules of the quest thus disaster befall them to run away.
The Magic Flight portray the unique culture of using magic to succeed in almost every story the writer gave.
The first example of Gwion Bach when the magic drops fell on him, he was transfigured and stated to foresee the future. (Campbell p. 183) Caridwen believed in supernatural powers which she had cooked for years only for Bach to destroy his efforts. Throughout the fleeing and pursuit, both transformed into various objects. Another example of a magic flight is when objects are left behind to speak for the fugitive to delay the pursuit. (Campbell p. 185) Formal Response代写
In the Maori community, they tell of a fisherman who commanded the river to retreat. And anything else near their house to answer his wife when she comes back from the river. The magic was delaying the pursuit of the Ogress. Campbell used more example to demonstrate the magical flight of a hero. Which is full of challenges, but through the power of magic and guardian force, they manage to flee.
Work Cited Formal Response代写
Campbell, Joseph. “The hero with a thousand faces (The collected works of Joseph Campbell).” New World Library (2008).
Sontag, Susan. “In Plato’s cave.” On photography 3 (1977).